Thomas Hayward, Dorothy Warenskjold, and William Wildermann joined forces for Gounod’s
Faust, still one of the world’s most popular operas in those days. This French grand opera presented a big challenge for chorus; the volunteer chorale of Seattle Symphony, who had been fulfilling Seattle Opera’s chorus needs, was amplified by an auxilary chorus for
Faust.
William Wildermann (Mephistophélès) and Margery MacKay (Siebel) in Gounod’s Faust, 1964. © William Jensen
Thomas Hayward (Faust), William Wildermann (Mephistophélès) and Nolan Van Way (Valentin) in Gounod’s Faust, 1964. © Margaret Marshall
Margery MacKay (Siebel) and Nolan Van Way (Valentin) in Gounod’s Faust, 1964. © Margaret Marshall
H. Alan Scott (Wagner), Nolan Van Way (Valentin) and Margery MacKay (Siebel) in Gounod’s Faust, 1964. © Margaret Marshall
Thomas Hayward (Faust), Dorothy Warenskjold (Marguerite) and William Wildermann (Mephistophélès) in Gounod’s Faust, 1964. © Margaret Marshall
