Says Monte Jacobson, Seattle Opera chorus soprano from 1964 to 1996, “Ms. Lee was young and pretty and was able to convey a wealth of meaning through every gesture. She had a light, flexible soprano with lovely pianissimi; her lower register, however, was sometimes uncertain and lacked the support Puccini's long phrases demand of his heroine.
Melinda Bargreen stated in the
Seattle Times, "Lee's Butterfly is a woman of grace and passion, girlish coquetry and stark realism. Her characterization has both charm and depth...the sort of performance that allows opera to work as theater.”

Adib Fazah (Sharpless) and Sung-Sook Lee (Cio-Cio-San) in Puccini’s Madama Butterfly, 1977 © Des Gates

Sung-Sook Lee (Cio-Cio-San) in Puccini’s Madama Butterfly, 1977 © Stewart Reif

Melvyn Poll (Pinkerton) and Sung-Sook Lee (Cio-Cio-San) in Puccini’s Madama Butterfly, 1977 © Stewart Reif

Judith Forst (Suzuki) and Sung-Sook Lee (Cio-Cio-San) in Puccini’s Madama Butterfly, 1977 © Stewart Reif

Sung-Sook Lee (Cio-Cio-San), Jennifer Dorrance (Trouble), and Adib Fazah (Sharpless) in Puccini’s Madama Butterfly, 1977 © Des Gates

Melvyn Poll (Pinkerton) and Sung-Sook Lee (Cio-Cio-San) in Puccini’s Madama Butterfly, 1977 © Des Gates