Peter Kazaras, who would go on to direct our second production of
The Turn of the Screw (for Seattle Opera’s Young Artists Progarm in 2006), played a ghost in this brilliant and disturbing opera. The eerie nature of the production prompted Speight Jenkins to offer a series of post-show Q&As, which became such a hit he began offering them after every Seattle Opera performance.

Britten’s The Turn of the Screw, 1994 © Greg Eastman

Peter Kazaras, who would go on to direct our second production of The Turn of the Screw (for Seattle Opera’s Young Artists Progarm in 2006), played a ghost in this brilliant and disturbing opera. The eerie nature of the production prompted Speight Jenkins to offer a series of post-show Q&As, which became such a hit he began offering them after every Seattle Opera performance. A haunting and memorable production of what is often considered Britten’s masterpiece.

Joyce Castle (Mrs. Grose) and Cyndia Sieden (Flora) in Britten’s The Turn of the Screw, 1994 © Greg Eastman

Peter Kazaras, who would go on to direct our second production of The Turn of the Screw (for Seattle Opera’s Young Artists Progarm in 2006), played a ghost in this brilliant and disturbing opera. The eerie nature of the production prompted Speight Jenkins to offer a series of post-show Q&As, which became such a hit he began offering them after every Seattle Opera performance. A haunting and memorable production of what is often considered Britten’s masterpiece.

Peter Kazaras, who would go on to direct our second production of The Turn of the Screw (for Seattle Opera’s Young Artists Progarm in 2006), played a ghost in this brilliant and disturbing opera. The eerie nature of the production prompted Speight Jenkins to offer a series of post-show Q&As, which became such a hit he began offering them after every Seattle Opera performance. A haunting and memorable production of what is often considered Britten’s masterpiece.

Lauren Flanigan (the Governess) and Christopher Campbell (Miles) Britten’s The Turn of the Screw, 1994 © Greg Eastman